Take a musical odyssey through five weird and wonderful decades with brothers Ron & Russell Mael, celebrating the inspiring legacy of Sparks: your favorite band’s favorite band.
Released: 2021-06-18
Runtime: 140 minutes
Genre: Documentaries, Music
Stars: Ron Mael, Russell Mael, Beck, Gary Stewart, Mike Berns, Jane Wiedlin, Sal Maida, Christi Haydon, Dean Menta, Harley Feinstein, Tony Visconti, Mike Myers, Fred Armisen, Tammy Glover, John Hewlett, Giorgio Moroder, 'Weird Al' Yankovic, Muff Winwood, Nick Rhodes, John Taylor, Todd Rundgren, Flea, Hilly Michaels, Jason Schwartzman, Jonathan Ross, Amy Sherman-Palladino, Dan Palladino, Mark Crowther, Vera Hegarty, Neil Gaiman, Stephen Morris, Gillian Gilbert, Katie Puckrik, Patton Oswalt, Steve Jones, James Lowe, Bernard Butler, Scott Aukerman, David Kendrick, Stevie Nistor, Chris Difford, Martyn Ware, Alex Kapranos, Paul Morley, Julia Marcus, Pamela Des Barres, Roddy Bottum, Les Bohem, April Richardson, Lance Robertson, Jack Antonoff, John Congleton, Earle Mankey, Larry DuPont, Patricia Lowe, Vince Clarke, Andy Bell, Björk, Mark Gatiss, Richard Coble, Nick Heyward, Ian Hampton, Thurston Moore, Peter Knego, Michael Silverblatt, Adam Buxton, Tosh Berman, Edgar Wright, Rusty Egan, Jake Fogelnest, Dave Weigel, Madeline Bocchiaro, Sue Harris, Ben House, Evan Weiss, Alex Casnoff, Patrick Kelly, Eli Pearl, Simon Pegg, Nick Frost, Leos Carax, Adam Driver, Daniel Palladino
Director: Edgar Wright
Comments
slashworth-73435 - 3 February 2023 Unforgettable I'm shocked at how many reviewers mention that they didn't know who Sparks were until this film came out, or they'd only heard about them in recent years.
But then, I'm getting old now. I first became mesmerised by Sparks as an 8 year old child watching This Town Ain't Big Enough for Both of Us on TV in 1974. The combination of the music, Russel's confident strutting and Ron's creepy state had me hooked. Then came Amateur Hour and then I sort of forgot about them and obsessed about Abba, Queen, Pink Floyd, Led Zeppelin and David Bowie until 1979 when the stunning Number One Song in Heaven was released which I couldn't get enough of. Over the years since then, there's been a similar pattern. Getting hooked on Sparks again then forgetting.
More recently, I discovered this film and fell in love again. I realised of all the musicians I have ever loved, Ron and Russell are the most joyful to watch and it was a delight to be reminded of what attracted me to them in the first place, nearly 50 years ago. They've barely aged, and the only difference now is that Ron smiles more and the realise he wasn't quite as scary as I thought he was. I realise how lucky I am to have found them all those years ago.
For those as old as me, a great trip down memory lane. For those who are younger and have only recently heard of Sparks, marvel at one of the few bands who are as fresh and entertaining nearly 60 years after they started.
Pjtaylor-96-138044 - 16 February 2022 Almost too comprehensive for its own good. 'The Sparks Brothers (2021)' is a behemoth of a documentary that charts the entire, six-decades-spanning career of 'Sparks', an intermittently successful and always experimental band who've reinvented themselves more times than you could possibly imagine. Prior to hearing of this film, I'd never heard of the Mael brothers or their band; the only reason I (and I highly doubt I'm the only one) elected to watch the piece is because of its director, Edgar Wright. This directly relates to both the strength and weakness of the piece: its adamant desire to explore every single 'Sparks' album ever released. With a runtime just shy of two-and-a-half hours and a structure that basically repeats itself twenty-five times, it certainly isn't the most audience friendly of affairs. This would imply that its target audience is almost exclusively people already familiar with and fond of the band's work, but this actually isn't the case - at least, not as obviously as it may seem. See, the documentary doesn't really go into any depth when it comes to its eponymous brothers, their musical process or how they perceive the events the movie depicts. Instead, it essentially focuses on the reception of their music, conveyed primarily via an impressively eclectic array of talking heads who wax lyrical about the under-appreciated brilliance of 'Sparks'. Therefore, fans of the band will likely already be familiar with most of the stuff that the movie covers. At the same time, newbies like myself are likely to feel slightly overwhelmed at the amount of surface-level information that the flick throws at its viewers. After a certain point, it all starts to blend into itself and wash over you to an extent. Despite this issue, the movie is still quite a bit of fun. Sure, it starts to run out of steam at points, but it often shakes things up just enough to feel fresh - much like the Mael brothers themselves. Though its presentation is mostly rather standard (albeit impressive), it does have a cheeky sensibility to it and imbues many of its more expected elements with some subtle yet successful humour. The enthusiasm of everyone on screen is also evident and infectious. Sadly, I can't say that I recall more than a couple of 'Sparks' songs now and they play for pretty much the entire affair. This is likely a testament to the eclectic nature of their discography, which is consistently inconsistent in terms of style and tone. Still, the music is enjoyable, despite not being all that memorable. Ultimately, this documentary is slightly too long and almost too comprehensive for its own good, yet it has quite a bit of charm to it and remains entertaining pretty much for its entire duration. It's a solid effort. 7/10.